And don't worry about missing shots: we're surrounded by missed photographs all the time, and it's impossible to take even a fraction of them no matter what equipment you have.
do actually frees you up to take real photographs from that vast infinity.
The answer to when to switch lenses comes naturally from this approach.
You switch when you know you want a different perspective.
Let the light lead you to the right spot from which to take the photo. I try taking different angles, try to be "artsy" when shooting with a prime lens.
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On recent vacations, I've been multiple times to Europe (mostly the capitals) and stopped shooting monuments and other more tourist-ish sceneries and concentrate on details and street views.For this reason, I think focusing on just one lens for a while is a very worthwhile exercise (for a beginner or for anyone).Don't worry about being too limited: working within constraints is a fundamental tool for making good art.Even though the two lenses you have don't really overlap, you might find them to be awfully close in the way you might use them.So, I'll repeat again the usefulness of spending a good, long quality time so you get to know each one, and then you can decide if you can relate to what I'm saying here.Your question covered all three axes of movement very well, but didn't say a thing about the light illuminating the subject. Learn what angles of light give the look you like in your photos.What shooting position allows the light to best bring out the qualities you want in the subject you are photographing?I've been told, and it sounds obvious in retrospect, that if I try to use my prime lenses as a zoom, it will be inconvenient to swap lenses all the time, like for every few shots. The key to using prime lenses effectively is to use them enough that their field of view becomes instinctive to you, so that you can stand somewhere and know what the resulting image will look like, without even looking at the viewfinder.Then, rather than watching your camera, you watch the world, and when you see a photograph, you take it.Generally, I choose a lens and try to stay in its "mindset", and switch when I feel that doesn't match the scene, or when I see a different creative possibility called to mind by my knowledge of the other lenses in my bag.And then I stay with that lens until the same occurs.