I think of a dark comedy or a dark drama as a movie that deals with disturbing subjects.
I think of a dark comedy or a dark drama as a movie that deals with disturbing subjects.Paul Schraeder, a Film Noir Scholar says, “French Critics, seeing the American Films they had missed during the war noticed a new mood of cynicism, pessimism and darkness” .Tags: Formal EssaysUniversity Of Waterloo ThesisPath Of AccountantScarlet Letter Sin EssayGrade 1 Retrolisthesis Of L4 On L5Diamond E Analysis EssayWriting An Opinion EssayKiosk Business PlanPersuasive Essay On Obesity In America
Marc Vernet argues that well established film noir directors were European and German artists.
Film critics have debated whether or not the national origin of the director changes the nationality of the film.
German directors had no problem making the transition in to American film.
There were those who did fear that there was too much of a German influence in American film, but the German filmmakers who fled Nazi Germany did not consider their movies to be German.
In this paper I will discuss the roots of film noir and whether or not it is considered a genre.
I will also touch up on some of the many themes of that made film noir what it was.
They like to think of their work as a part of American Cinema.
German directors who left Germany for Hollywood think that their real contribution to film noir was the actual lighting of the movie.
The German influence in film noir is quite obvious not only by the way it was made, but by the directors who made them.
Of course not all directors of film noir were German, but this new form of film definitely has roots within European filmmakers.